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Early Music

Статьи последних нескольких выпусков журнала Early Music © Oxford University Press
  • Verie sweete and artificiall: Lorenzo Costa and the earliest viols
    Early Music, Vol. 36, No. 1. (February 2008), pp. 3-18.
  • Hearing John Brownes motets: registral space in the music of the Eton Choirbook
    Early Music, Vol. 36, No. 1. (February 2008), pp. 19-40.
  • George Kirbye's Clemens parody
    Early Music, Vol. 36, No. 1. (February 2008), pp. 41-50.
  • Clefless notation, counterpoint and the fa-degree
    Early Music, Vol. 36, No. 1. (February 2008), pp. 51-66.
  • Readings of poetryreadings of music: intertextuality in Josquins Je me complains de mon amy
    Early Music, Vol. 36, No. 1. (February 2008), pp. 67-80.
  • Would Caccini approve?
    Early Music, Vol. 36, No. 1. (February 2008), pp. 81-94.
  • How composers viewed performers additions
    Early Music, Vol. 36, No. 1. (February 2008), pp. 95-110.
  • A musical monk of the 11th century
    Early Music, Vol. 36, No. 1. (February 2008), pp. 111-112.
  • Codices catalogued
    Early Music, Vol. 36, No. 1. (February 2008), pp. 112-114.
  • The grandeur of Seville
    Early Music, Vol. 36, No. 1. (February 2008), pp. 114-116.
  • Popes, patrons and publishers
    Early Music, Vol. 36, No. 1. (February 2008), pp. 116-117.
  • Musical regents
    Early Music, Vol. 36, No. 1. (February 2008), pp. 117-119.
  • An English singing tutor
    Early Music, Vol. 36, No. 1. (February 2008), pp. 119-120.
  • Vivaldi's flutes
    Early Music, Vol. 36, No. 1. (February 2008), pp. 120-122.
  • Scarlatti, father and son
    Early Music, Vol. 36, No. 1. (February 2008), pp. 123-125.
  • The Chevalier de Saint-Georges
    Early Music, Vol. 36, No. 1. (February 2008), pp. 125-128.
    by Irving, RM David
  • Campra and Lully: tragdie and comdie-ballet
    Early Music, Vol. 36, No. 1. (February 2008), pp. 129-131.
  • Flute music familiar and unfamiliar
    Early Music, Vol. 36, No. 1. (February 2008), pp. 131-133.
  • Sonatas from Dresden and Denmark
    Early Music, Vol. 36, No. 1. (February 2008), pp. 133-135.
  • The dilemmas of editing Bach
    Early Music, Vol. 36, No. 1. (February 2008), pp. 135-137.
  • Polyphony from Castile and Catalonia
    Early Music, Vol. 36, No. 1. (February 2008), pp. 139-140.
  • Lutes and voices
    Early Music, Vol. 36, No. 1. (February 2008), pp. 140-142.
  • French Baroque chamber music
    Early Music, Vol. 36, No. 1. (February 2008), pp. 142-144.
  • Varied Vivaldi
    Early Music, Vol. 36, No. 1. (February 2008), pp. 144-146.
  • Telemann revived
    Early Music, Vol. 36, No. 1. (February 2008), pp. 146-150.
  • Bach cantata cycles
    Early Music, Vol. 36, No. 1. (February 2008), pp. 150-152.
    by Irving, RM David
  • Handel: three operas and an oratorio
    Early Music, Vol. 36, No. 1. (February 2008), pp. 152-155.
  • Music for church, stage and salon
    Early Music, Vol. 36, No. 1. (February 2008), pp. 155-158.
  • Scarlatti and the Portuguese connection
    Early Music, Vol. 36, No. 1. (February 2008), pp. 159-160.
  • The Shackleton collection
    Early Music, Vol. 36, No. 1. (February 2008), pp. 160-161.
  • The Med and Ren abroad
    Early Music, Vol. 36, No. 1. (February 2008), pp. 161-162.
  • Beating the drum: the early timpani
    Early Music, Vol. 36, No. 1. (February 2008), pp. 163-165.
  • Celebrating the raising of the Mary Rose
    Early Music, Vol. 36, No. 1. (February 2008), pp. 165-165.
  • The challenge of Johannes Regis
    Early Music, Vol. 36, No. 1. (February 2008), pp. 165-166.
  • Francisco J. Garca Fajer, lo Spagnoletto
    Early Music, Vol. 36, No. 1. (February 2008), pp. 166-167.
  • Figured bass in Forqueray
    Early Music, Vol. 36, No. 1. (February 2008), pp. 168-172.
  • Quite un-justa response
    Early Music, Vol. 36, No. 1. (February 2008), pp. 172-174.
    by Duffin, W Ross
  • Pasterwitz and Michael Haydn
    Early Music, Vol. 36, No. 1. (February 2008), pp. 174-174.
  • Editorial
    Early Music, Vol. 35, No. 1. (February 2007), pp. 1-2.
  • Black guitar-players and early African-Iberian music in Portugal and Brazil
    Early Music, Vol. 35, No. 1. (February 2007), pp. 3-22.
  • The sources and origin of the Agincourt Carol
    Early Music, Vol. 35, No. 1. (February 2007), pp. 23-38.
  • That satyrical tune of Amarillis
    Early Music, Vol. 35, No. 1. (February 2007), pp. 39-48.
  • Bridge location on the early Italian violin
    Early Music, Vol. 35, No. 1. (February 2007), pp. 49-66.
    by Petersen, Greg Dean
  • Bonnie Sweet Recorder: some issues arising from Arnold Dolmetsch's early English recorder performances
    Early Music, Vol. 35, No. 1. (February 2007), pp. 67-82.
  • Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla
    Early Music, Vol. 35, No. 1. (February 2007), pp. 83-96.
  • The tenorcastrato connection, 17601860
    Early Music, Vol. 35, No. 1. (February 2007), pp. 97-112.
  • Wars on music
    Early Music, Vol. 35, No. 1. (February 2007), pp. 113-115.
  • Reading between the lines
    Early Music, Vol. 35, No. 1. (February 2007), pp. 115-116.
  • Rameau at Fontainebleau
    Early Music, Vol. 35, No. 1. (February 2007), pp. 116-118.
  • Probing Bach's world
    Early Music, Vol. 35, No. 1. (February 2007), pp. 118-120.
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