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cmunson pitch [16 articles]

Recent papers added to cmunson library classified by the tag pitch. You can also see everyone's pitch.
  • Cues for Key Perception of a Melody:Pitch Set Alone?
    Music Perception, Vol. 23, No. 2., pp. 153-164.
    by Rie Matsunaga, Jun-Ichi Abe
    posted to melody music pitch tonality by cmunson on 2008-04-18 20:28:10 as ****
  • Pitch-Class Distribution and the Identification of Key
    Music Perception, Vol. 25, No. 3. (2008), pp. 193-212.
    by D Temperley, EW Marvin
    posted to models music pitch tonality by cmunson on 2008-04-18 20:25:14 as ****
  • Modeling the Acquisition and Representation of Musical Tonality as a Function Of Pitch-Use through Self-Organising Artificial Neural Networks
    posted to model modeling music pitch tonality by cmunson on 2008-04-18 20:15:09 as ****
  • Responsiveness of Western adults to pitch-distributional information in melodic sequences.
    Psychological research, Vol. 57, No. 2. (1995), pp. 103-118.
    by N Oram, LL Cuddy
    posted to melodies music pitch statistical_learning tonality by cmunson on 2008-04-18 20:01:32 as ****
  • Perceiving the causes of coarticulatory acoustic variation: consonant voicing and vowel pitch.
    Percept Psychophys, Vol. 59, No. 7. (October 1997), pp. 1141-1152.
    by JS Pardo, CA Fowler
  • The case of the missing pitch templates: How harmonic templates emerge in the early auditory system
    The Journal of the Acoustical Society of America, Vol. 107, No. 5. (2000), pp. 2631-2644.
    by Shihab Shamma, David Klein
  • Pitch, consonance, and harmony
    The Journal of the Acoustical Society of America, Vol. 55, No. 5. (1974), pp. 1061-1069.
    by Ernst Terhardt
  • The perceptual reality of tone chroma in early infancy
    The Journal of the Acoustical Society of America, Vol. 76, No. 1. (1984), pp. 57-66.
    by Laurent Demany, Francoise Armand
  • Changing the tune: the structure of the input affects infants' use of absolute and relative pitch
    Developmental Science, Vol. 8, No. 1. (2005), pp. 1-7.
    by Jenny R Saffran, Karelyn Reeck, Aimee Niebuhr, Diana Wilson
  • Octave generalization, pitch discrimination, and loudness thresholds in the white rat
    Journal of experimental psychology, Vol. 33 (1943), pp. 407-419.
    by Richard H Blackwell, Harold Scholsberg
  • Octave equivalence as measured by similarity ratings.
    Percept Psychophys, Vol. 32, No. 1. (July 1982), pp. 37-49.
    by HJ Kallman
  • Cognition in music
    Cognition, Vol. 14, No. 2. (September 1983), pp. 119-183.
    by Mary L Serafine
  • Absolute pitch: perception, coding, and controversies
    Trends in Cognitive Sciences, Vol. 9, No. 1. (January 2005), pp. 26-33.
    by Daniel J Levitin, Susan E Rogers
  • The pitch of electrically presented sinusoids
    The Journal of the Acoustical Society of America, Vol. 95, No. 3. (1994), pp. 1677-1679.
    by Michael F Dorman, Michael Smith, Luther Smith, James L Parkin
  • Pure tone pitch perception and low-frequency hearing loss
    The Journal of the Acoustical Society of America, Vol. 73, No. 3. (1983), pp. 966-975.
    by Christopher Turner, Edward M Burns, David A Nelson
  • The Central Origin of the Pitch of Complex Tones: Evidence from Musical Interval Recognition
    The Journal of the Acoustical Society of America, Vol. 51, No. 2B. (1972), pp. 520-529.
    by AJM Houtsma, JL Goldstein
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